Notes related to art and The Frieze of Life
MM N 46, fol. 1r
In order to understand my remarks
about how I believed it would be a crime
for me to marry I will elucidate the following:
my maternal grandmother died of tuberculosis
My mother died of tuberculosis
as did her sister Hansine
My aunt who came to [live with] us has apparently
been tubercular. Throughout her entire life she has
suffered from colds accompanied by blood-tinged sputum as well as
bronchitis. My sister Sofie died of tuberculosis
We other children suffered from severe colds
while growing up – I came to this world in poor health
was baptised at home and my father did not believe
that I would survive – I was forced to neglect school
almost entirely – Had continuous attacks
of violent colds illness
and rheumatic fever – Had profuse haemorrhaging and
blood-tinged sputum. My brother had weak
lungs and died of pneumonia as a young man
MM N 46, fol. 2r
My paternal grandfather the archdeacon died
of tuberculosis of the spine – Which … I
believe was the cause of my father’s morbid anxiety
and disposition – The likes of which
developed more and more in
us children
I consequently do not believe that my
art is morbid – as Scharfenberg and
many others believe. These are people who do not
understand the essence of art nor are they
familiar with art history
When I paint illness and misfortune
it is on the contrary a healthy release
It is a healthy reaction that
one can learn from and live by
MM N 46, fol. 3r
How I hit upon the idea to paint
friezes and murals
In my art I have sought
to explain to myself life
and its meaning – I have also intended to help others
to understand their own lives
I have always worked best with
my paintings around me –
I arranged them together and felt
that some of the pictures were connected to
each other in content –
When they were positioned together there immediately
arose a resonance between them and
they became totally different than when [displayed] individually
It became a symphony
That is when I decided to paint friezes